Tony Roberts, a celebrated actor with a distinct presence in both cinema and theater, has died at the age of 85 due to complications stemming from lung cancer.
The Wrap reported that his passing was confirmed by his daughter, Nicole Burley, who shared the news with the New York Times, marking the end of a legacy that spanned decades in both Hollywood and on Broadway.
Roberts, who passed on Friday at his home in Manhattan, left behind a remarkable oeuvre that many remember for his work with filmmaker Woody Allen. His first collaboration with Allen started in 1972 with the film "Play It Again, Sam." This marked the beginning of a series of roles that cemented his place in comedic cinema.
Tony Roberts' journey in film is marked by his performances in six of Allen’s films, including notable appearances in "Annie Hall" and "Hannah and Her Sisters."
In "Annie Hall," Roberts captivated audiences with his portrayal of a Los Angeles-based producer. His versatility as an actor was further showcased in "Hannah and Her Sisters," where he played a key role in the storyline as a sperm donor for the main characters.
In addition to working with Allen, Roberts' film credits include roles in widely recognized movies such as "The Taking of Pelham One Two Three," "Serpico," and a later appearance in the 2017 remake of "Dirty Dancing." These films highlighted his ability to adapt to various genres, further establishing his status as a versatile actor.
Roberts also enjoyed a successful Broadway career, where he received two Tony Award nominations. The first was for his performance in the 1968 musical "How Now, Dow Jones," where he was honored in the category of best actor. His second nomination came as a featured actor in a play for Allen’s "Play It Again, Sam."
Born into a family connected to the entertainment industry, Roberts' father, Ken Roberts, was an accomplished radio and television announcer. He was also instrumental in shaping the industry through his involvement with the American Federation of Television and Radio Artists, the Screen Actors Guild, and Actor’s Equity Association.
Roberts often reflected on his work with Allen, once expressing how deeply he was associated with the roles written for him by the director. "I was always so vividly the guy Woody wrote," he said in a 1997 interview with The Los Angeles Times.
This identity, while beneficial, also posed challenges. "The persona I was for Woody is a hard thing to break out of," he added, revealing the depth of the typecasting he experienced.
It was not an easy road to these roles. Roberts recalled an incident involving both Allen and theater producer David Merrick. Though Merrick was keen on having Roberts, Allen needed more persuasion.
Reflecting on an audition mishap, Roberts recounted how Allen, after seeing him perform in "Barefoot in the Park," recognized his talent. "This is great. You’re very good. I’ll give you the part in my play," Allen reportedly said.
Roberts's impactful career and the complexity of his characters, particularly in Allen’s films, left a lasting impression. Though his on-screen persona was often closely tied with Allen’s distinctive vision, Roberts' contributions extend beyond that association, enriched with diverse roles in cinema and theater.
Roberts' personal life saw him married to Jennifer Lyons from 1969 to 1975, and he is survived by their daughter, Nicole Burley.
Despite the challenges he faced along his artistic journey, Roberts remained a committed and passionate actor until the end.
In his passing, the world remembers him not just for his memorable film roles but also for his dedication to the craft of acting. His influence continues to resonate in the entertainment industry.
As admirers reflect on his diverse body of work, Roberts's legacy remains intact—a testament to his indelible impact on both stage and screen.
